Mon, 14 December 2015
When we look at something big, our minds are conditioned to say, "Damn, that's big!" Many people will never look at something big and see all the tiny pieces that make up the big thing. Because of that, it seems some people think creating substantial things is beyond them. For every thousand people who say, "Someday I'll finally write the best selling novel I know I have in me," is a person who probably actually does have it in them, but believes it's simply beyond them for a variety of reasons.
There are busy writers people look up to who shoot for 250 words a day. Over the course of a year, they have a novel. Inside a couple years, they have a body of work.
But not everything takes as long as a novel. A handful of paintings for a gallery show can be a body of work. Sure, we may not see all the paintings and sketches that got the artist to that point in what they do, but even those sketches in a pile compose a body of work.
With podcasting, one might hear that 7 is a magic number -- that if someone hit 7 shows, they will probably hit 20 or 25. Some shows have an arc that ends, and some are open. Some people have recorded thousands of episodes. We've recorded 150 episodes, which is enough that we decided -- in celebration -- to make our 150th episode all about what goes into a body of work.
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We kick off the episode talking about the first body of work we ever created and quickly jump to what we think is the most impressive body of work ever created. Next, we discuss which body of work we've created that is our favorite -- and our favorite body of work produced by another person. What makes up a body of work -- how big does something have to be? We chat about that, as well as the benefits of producing a body of work.
The world is full of people who want to make things, but don't. We devote some time to why we think some people have a hard time creating a body of work -- and offer advice about how to get started.
Recurring elements appear in most bodies of work. We talk about how important consistency of theme is in creating a lasting body of work, and then chat about the strangest body of work we've ever seen.
After that, we hop into our imaginary time machines to discuss who we'd go back in time to watch work if we could, and we wrap it all up by discussing the next bodies of work we plan on making.
We'd love to hear about what you've made in the comments. (Feel free to link to stuff -- we love seeing what others are up to.)